Camcorder systems
utilise a
magnetic tape recording and
playback systems. Unlike
Film, that captures light onto
a light sensertive plastic,
video camcorders & vcrs
encode light as electrical
pulses onto a magnetic film,
much like tape recorders
encode sound onto magnetic
tape. Film has twenty four frames per second where as videotape has
twenty five individual frames
per second.
Most systems scan across the tape in a helical fashion (i.e. diagonally).
Stereo soundtracks are layed at the top of the frame running parallel to the
edge of the tape.
HiFi soundtracks are recorded in with the video signal, which means that
the sound will be great when played back on HiFi stereo compatible
equipment, but it cannot be erased from the tape without destroying the
video track as well.
The control track at the bottom of the tape is a special pulse, written by the
Camcorder/Recorder, that indicates each individual frame. This helps to
synchronise two different tapes in the editing process. It takes
approximately five seconds from the beginning of a recording for the time
code pulse to stabilize. That is why you should always allow approximately
ten seconds from where you begin to record to when you shout 'Action!
This also goes for Digital camcorders they have all the same elements,
but instead it takes the analog information the camera gathers and encodes it to bytes of data.
Instead of storing the video signal as with the older video camcorders method of continuous track of magnetic patterns,
it records and stores the images and sound in binary code, in 1's and 0's.
This data process stops you from losing any information which analog is known to do, fading with each copy you make as the
copying process doesn't produce the original signal precisely. Digital information has the versatility of being able to be transferred
directly to a computer, and as long you have the relevant software you can edit it with ease.